Please contact with any questions.Ĭurrently a full-time professor in Berklee’s Guitar department, Peckham has been a faculty member since 1986, and served as assistant chair of the Guitar department, with 1,100 guitar students and 60 guitar faculty, from 1992-2013.
Recommended: Printer, if you would like to print out examples used in the course.Īfter enrolling, be sure to check out our Student Deals page for various offers on software, hardware, and more.Note: Depending on your setup, you may also need XLR/instrument cables and a microphone stand.Headphones (recommended option required if multitracking and/or input monitoring a microphone).Built-in computer/mobile device microphone.XLR microphone and audio interface (recommended acoustic option).Instrument connected directly to audio interface (recommended electric option alternatively, the microphone options below can be used with amplified instruments).Students are required to capture their instrumental performance, as well as monitor audio output.Webcam (using either video recording software, or the video recording tool that is built into the learning environment).Students are required to record video while performing with a backing track for their assignments.Berklee Jazz Guitar Chord Dictionary by Rick Peckham (Berklee Press, 2007).Guitar tablature and chord blocks, in addition to traditional notation, will be used throughout the course. Students should have at least one year of playing experience and the ability to play some chords on the guitar. Prerequisite Courses, Knowledge, and/or SkillsĬompletion of Music Foundations or Music Theory 101 or equivalent knowledge and experience is required. Lesson 12: Putting It All Together/Final Project Lesson 9: Using the Chords: Mixing Drop 2 and Drop 3 Voicings Dominant 13 Voicings and Chord Tensions.Dominant 9 Voicings-Another Use for min7(b5).Drop 3, Bottom String, Skip String, then Three Adjacent Strings.All Things in One Key: Other 7th Chord Qualities.One Thing in All Keys: Dominant 7th Drop 2 Voicings.Barre Chords: Big Sound, Three or Four Tones.Inversions of Triads: Across the Fretboard.Lesson 2: Triad Inversions/Other Triad Qualities Playing Triads: Root Position Major Triads on 4-3-2 and 3-2-1.
Play triads over bass notes and alterations.Play and know the voicings of various chord qualities such as a major triad, minor triad, diminished triad, augmented triad, dominant 7, major 7, and minor 7.Have a greater knowledge of constructing triads, seventh chords, some extended voicings, and inversions.Look at a lead sheet and play chord voicings in a variety of musical styles.By the end of the course students will be able to add more dynamics and expression to their playing and gain an extensive chord vocabulary, which will prove invaluable in pursuing any style of music.īy the end of this course, you will be able to: Students will also benefit from personalized instruction and comments from Berklee's world-renowned guitar instructors on their weekly assignments as well as through weekly live chats. The course offers a rich learning platform, featuring Flash movies, interactive quizzes, instructional videos, guitar tablatures and practice mp3 tracks to get the notes under your fingers as quickly as possible, while allowing you the portability to practice wherever you get a few minutes with your guitar.
Berklee rock guitar chord dictionary how to#
Students will gain more freedom and a greater feel for their instrument by learning how to visualize chord structures anywhere on the neck of the guitar.
0 kommentar(er)
